February 11, 2024
Past sessions

Typographic Printing Program
Typographic Printing Program
Typographic Printing Program
Voices from last year’s participants

December 13, 2023
Inspiration

Typographic Printing Program
2024 poster production

November 27, 2023
One question to former participants
Past sessions

Sketch by Paolo Faricelli
Production by Wipawe Sirikolkarn
Sketches by Paolo Faricelli
What was your favorite moment? #2

September 20, 2023
Insights

Typographic Printing Program
Typographic Printing Program
Typographic Printing Program
A certificate for 120 hours of typography

June 25, 2023
One question to Brielle Stein
Past sessions

Brielle presenting her final digital draft
Typographic Printing Program
What was your favorite moment?

March 8, 2023
Interview with Ashley Fuchs
People

Ashley Fuchs with Dafi Kühne
Firstly: sketching, sketching, sketching
Next step: checking details
Typographic Printing Program
About refreshing and refining letterpress and typography knowledge in a judgement-free zone

February 15, 2023
Our participants from 2016–2022
Insights

Where do our participants come from?

December 1, 2022
Insights

Typographic Printing Program
Typographic Printing Program
Typographic Printing Program
Typographic Printing Program
Typeroom × Typographic Printing Program half price scholarship for Session II in Pasadena

November 29, 2022
Interview with Audrey Solomon
People

Audrey with her final poster
Typographic Printing Program
Typographic Printing Program
The potential of analog design methods for digital design

November 14, 2022
Inspiration

Type cases with physical sets of Commercial Grotesk and Superba with printed specimen books of Superba, Commercial Grotesk and Helvetica Schmalhalbfett
Typographic Printing Program
The note about the history of Commercial Grotesk and Helvetica in the book «Helvetica Forever».
Story time: from Superba to Helvetica Schmalfett